Miles Davis Poster, 1971 by Günther Kieser |
I recall seeing the peculiar art of Günther Kieser at a
young age. This week seeing the photorealistic ‘trumpet tree’ again piqued my
interest in his body of work. A genius in his own time, Kieser created a whole
new visual language. His early work exemplifies an ability to synthesize
communications pieces that are visually unique yet clear in message.
His early work, Alabama Blues brilliantly uses the
shape of a dove to contain the typography.
The Alabama Blues music was all about peace and justice as represented
by the dove form.
Jimi Hendrix poster, 1969, by Günther Kieser |
After ending his partnership with Michel, Keiser continued
to produce posters for the music scene.
His posters became a fixture in concert venues, bars and billboards. His
treatment of political topics and current issues gave his work an iconic look
and feel. Keiser’s Jimi Hendrix
Experience poster, 1969, is one of his most popular designs stamped in the
memory of a post modern generation.
Jazz Band Ball, 1963 |
Sources:
http://www.nrw-museum.de/en/#/en/more/biographies/details/details/artists///guenther-kieser.html
http://www.nrw-museum.de/en/#/en/more/biographies/details/details/artists///guenther-kieser.html
http://www.moma.org/collection/object.php?object_id=8049 Jazz Band Ball
Traffic Poster, 1971, Günther Kieser |
http://www.tumblr.com/tagged/g%C3%BCnther-kieser
Miles Davis Poster, 1971
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